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    WSR Detailed DVD Review
    Extreme Ops
    Genre: Action Adventure

    Reviewed In Issue 74 (July 2003) Of Widescreen Review®

    Stars:
    Devon Sawa, Bridgette Wilson-Sampras, Rupert Graves, Rufus Sewell, Heino Ferch & Joe Absolom

    WSR Review Scores
    WSR Picture Rating: 3.5
    DD Sound Rating: 4
    DTS Sound Rating: NA
    Download WSR Review
    Reference Systems
    Critics' Composite Score: 2.5
    Internet Links
    http://www.paramount.com/homeentertainment
    Special Features
    Congratulations, Paramount! We love the new option to view previews or go straight to the main menu (though we still chuckle over your


     DVD General Information

    (Studio/Distributor): Paramount Home Entertainment
    (Catalog Number): 34095
    (MPAA Rating): PG13
    (Rating Reason):

    		 Violence/peril, language and some nudity
    (Retail Price): $29.99
    (DVD Type): Single Side, Dual Layer (DVD9)
    (Widescreen Edition): Yes
    (Full Screen Edition): No
    (Anamorphic Widescreen): Yes
    (Running Time In Minutes): 93
    (Color Type): Color
    (Chaptered/Scene Access): Yes
    (Closed Captioned): Yes
    (Regional Coding): 1
    (Theatrical Year): 2002
    (Theatrical Release): Yes
    (Direct-To-Video Release): No
    (DVD Release Date): 05/06/03
    (THX® Digitally Mastered): No

     Credits Information

    (Director): Christian Duguay
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      DVD Picture Information

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      DVD Sound Information

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      WSR Narrative Review
    Story Synopsis:
    Extreme Sports takes on a whole new meaning in "Extreme Ops," when a downhill gold medalist and three extreme snowboarders hit the Austrian slopes to shoot a commercial for a high tech digital video. They have no problem tackling anything from train rails to vertical ice so the next thing on their list

    DVD Picture:
    The anamorphically enhanced 2.35:1 DVD exhibits a generally sharp and detailed picture, though there are a few scenes which appear soft or smeared. Colors are nicely balanced with accurate fleshtones and vibrant hues. Contrast can seem a bit low at times, but shadow delineation is nicely rendered. The picture can have a

    Soundtrack:
    The Dolby

    Reason #48 Why Readers Love Widescreen Review:

    In addition to Widescreen Review, I subscribe to several audio/video publications, such as Sound And Vision, Stereophile, Stereophile Guide To Home Theater, Audio Video Interiors, and peruse through the myriad of British audio video publications when I go to Borders, Barnes & Nobles, or Tower Records. I must acknowledge that Widescreen Review is one of the better ones because it is more like a trade publication than a magazine full of advertisements. Moreover, Widescreen Review was one of the first publications to delve into DVI and more importantly, HMDI, which I deem important because it can make a lot of the current products out there obsolete. Put simply, Widescreen Review is The New York Times of audio/video publication. In other words, if you want real news, you read The New York Times. To stay on top of what’s happening in the audio/video industry, you read Widescreen Review. Enough said.

    Dick Lew
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